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BERRUGUETE, Alonso St Sebastian oil painting reproduction

BERRUGUETE, Alonso
St Sebastian
St Sebastian
Gemälde IDENTIFIZIERUNG:: 5163

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1526-32 Mehrfarbiges Holz Nationales Museum Religiöser Schnitzwerke, Valladolid
1526-32 Polychrome wood National Museum of Religious Carvings, Valladolid

RAFFAELLO Sanzio St Sebastian oil painting reproduction

RAFFAELLO Sanzio
St Sebastian
St Sebastian
Gemälde IDENTIFIZIERUNG:: 8705

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1501-02 Öle auf Holz, 43 X 34 cm Accademia Carrara, Bergamo
1501-02 Oil on wood, 43 x 34 cm Accademia Carrara, Bergamo

Sandro Botticelli St Sebastian oil painting reproduction

Sandro Botticelli
St Sebastian
St Sebastian
Gemälde IDENTIFIZIERUNG:: 26836

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C das Berlin von 1473 HatStaatliche (mk57). Nachgesonnen
c 1473 Berlin,Staatliche Museen (mk57)

Antonello da Messina St Sebastian oil painting reproduction

Antonello da Messina
St Sebastian
St Sebastian
Gemälde IDENTIFIZIERUNG:: 33413

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der Tempera von mk86 C. 1476 auf Holz, das auf Leinwand 171x86cm Dresden übertragen wird, Gemaldegalerie Alte Meister
mk86 c.1476 Tempera on wood transferred to canvas 171x86cm Dresden,Gemaldegalerie Alte Meister

Andrea Mantegna St Sebastian oil painting reproduction

Andrea Mantegna
St Sebastian
St Sebastian
Gemälde IDENTIFIZIERUNG:: 39582

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mk150 C. 1459
mk150 c.1459

Antonello da Messina
St Sebastian
St Sebastian
Gemälde IDENTIFIZIERUNG:: 40245

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der Unterausschuss von mk156 C. 1476 hat aufLeinwand 171x85cm vertauscht
mk156 c.1476 Panel transposed on canvas 171x85cm

Pietro Perugino St Sebastian oil painting reproduction

Pietro Perugino
St Sebastian
St Sebastian
Gemälde IDENTIFIZIERUNG:: 40264

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mk156c.1490-1500 Öl auf Holz 176x116cm
mk156 c.1490-1500 Oil on wood 176x116cm

Titian St Sebastian oil painting reproduction

Titian
St Sebastian
St Sebastian
Gemälde IDENTIFIZIERUNG:: 40988

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mk159 1570er Jahren Ölen auf Leinwand 210x115cm
mk159 1570s Oil on canvas 210x115cm

El Greco St Sebastian oil painting reproduction

El Greco
St Sebastian
Gemälde IDENTIFIZIERUNG:: 53581

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mk233 1608-1614 Oil on canvas 115x85cm

El Greco
St Sebastian
Gemälde IDENTIFIZIERUNG:: 53582

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mk233 1577/78 Oil on canvas 191x152cm

Master of the Saint Lucy Legend St Sebastian oil painting reproduction

Master of the Saint Lucy Legend
St Sebastian
Gemälde IDENTIFIZIERUNG:: 64200

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1480-90 Oil on oak panel, 70 x 26,7 cm Gallery Robert Pintelon, Aalst St Sebastian is standing frontally with his hands over his head tied to a tree in a tree-filled landscape with abundant vegetation in the foreground. The towers of a castle loom up in the background. Apart from his loincloth he is naked. Both sides of his body are pierced with arrows. The handling of light is full of contrast, with ample use of white lead on the rosy skin standing out against the very dark green of the surroundings. Various characteristics in the manner of painting and the style, as well as the conception, enable us to ascribe this hitherto unknown panel to the Master of the Legend of St Lucy. The stiff, marionette-like figures with heavily drawn features; the hard, richly contrasted palette; and the systematic use in his landscapes of stereotypical vegetation and towers or city views in the distance are typical of nearly all his compositions. In this St Sebastian all these elements are clearly visible. The physiognomy with the heavy nose and the rather oriental eyes with large, vaulted upper eyelids and bushy eyebrows is to be seen in several of his works, for example, the Lamentation in Minneapolis and in the Tallinn altarpiece. The flat folds of the loincloth can be compared with the Virgin's head-scarf in the Lamentation of the Thyssen Foundation, where Christ's torso has been modelled in much the same way. The manner in which the vegetation is treated is almost identical in the St John on Patmos of Rotterdam and in the Legend of St Lucy in St James' Church in Bruges. Owing to its small format, it can be suspected that the St Sebastian was the wing of a triptych. The painting on the reverse was probably planed away when the cradle was applied. , Artist: MASTER of the Saint Lucy Legend , St Sebastian , 1451-1500 , Flemish , painting , religious

Pietro Perugino
st sebastian
Gemälde IDENTIFIZIERUNG:: 64746

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nationlmuseum se

Pietro Perugino
st sebastian
Gemälde IDENTIFIZIERUNG:: 69120

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1500 olja på trä 174x88 se

RAFFAELLO Sanzio
St Sebastian
Gemälde IDENTIFIZIERUNG:: 84559

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Date between 1501(1501) and 1502(1502) Medium Oil on wood cjr

Matthias Grunewald St Sebastian oil painting reproduction

Matthias Grunewald
St Sebastian
Gemälde IDENTIFIZIERUNG:: 87630

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Date c. 1515(1515) Medium Oil on wood Dimensions Height: 232 cm (91.3 in). Width: 76.5 cm (30.1 in). cjr

RAFFAELLO Sanzio
St Sebastian
Gemälde IDENTIFIZIERUNG:: 88409

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between 1501(1501) and 1502(1502) Medium Oil on wood cyf

Giovanni Antonio Boltraffio St Sebastian oil painting reproduction

Giovanni Antonio Boltraffio
St Sebastian
Gemälde IDENTIFIZIERUNG:: 89775

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second half of 15th century Medium Oil on wood transferred to canvas cyf

Antonello da Messina
St Sebastian
Gemälde IDENTIFIZIERUNG:: 91187

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between 1476(1476) and 1477(1477) Medium Oil on canvas transferred from panel Dimensions Height: 171 cm (67.3 in). Width: 85.5 cm (33.7 in). cyf

Matthias Grunewald
St Sebastian
Gemälde IDENTIFIZIERUNG:: 91275

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1515(1515) Medium oil on panel cyf

Matthias Grunewald
St Sebastian
Gemälde IDENTIFIZIERUNG:: 91276

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1515(1515) Medium oil on panel cyf

Matthias Grunewald
St Sebastian
Gemälde IDENTIFIZIERUNG:: 91277

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1515(1515) Medium oil on panel cyf

Giovanni Antonio Boltraffio
St Sebastian
Gemälde IDENTIFIZIERUNG:: 97783

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second half of 15th century Medium Oil on wood transferred to canvas cyf

Giovanni Antonio Boltraffio
was an Italian painter of the High Renaissance from Lombardy, who worked in the studio of Leonardo da Vinci.[2] Boltraffio and Bernardino Luini are the strongest artistic personalities to emerge from Leonardo's studio. According to Giorgio Vasari, he was of an aristocratic family and was born in Milan. His major painting of the 1490s is the Resurrection (painted with fellow da Vinci pupil Marco d'Oggiono and now in the Gemäldegalerie, Berlin). A Madonna and Child in the Museo Poldi Pezzoli of Milan, is one of the high points of the Lombard Quattrocento. His portraits, often in profile, and his half-length renderings of the Madonna and Child are Leonardesque in conception, though the clean hard edges of his outlines lack Leonardo's sfumato. In Bologna, where he remained in 1500-1502, he found sympathetic patrons in the Casio family, of whom he painted several portraits and for whom he produced his masterwork, the Pala Casio for the Church of the Misericordia (Louvre Museum); it depicts a Madonna and Child with John the Baptist and Saint Sebastian and two Kneeling Donors, Giacomo Marchione de' Pandolfi da Casio and his son, the Bolognese poet Girolamo Casio[3], who mentioned Boltraffio in some of his sonnets. Boltraffio's portrait of Girolamo Casio is at the Pinacoteca di Brera, Milan.
St Sebastian
second half of 15th century Medium Oil on wood transferred to canvas cyf

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